(originally published by Terra Incognita No. 5 2004/2005)
I was lying in bed, trying to get back to sleep when suddenly, tap tap… tap tap… I recognized that sound, though it took me a moment, from two or three years ago, when the current super was on hiatus in Brazil. It went on, it seemed, for months, and then stopped unaccountably.
I tore myself out of bed and scurried around the apartment until I could think of what to do, finally grabbing a pot from the stove and placing it on the ground where most of the water seemed to be landing. I moved the old pillows I’ve been meaning to throw away, and brought three books back onto dryer ground, but alas, poor Nadja was soaked through and would never be the same again. At least the Tractatus was somewhat intact.
*
Breton told me the best way to deal with the fact of war was to not talk about it, in that way refuse to participate with its desire to consume all things; but my friend Paul walked offstage, more perplexed than angry, when he found I had erased or distorted his lines. And so, what do I do, sitting here in relative comfort, trying to get the word to spin worlds, while the one that is supposedly real, before me, brought to me through a box of light and the talking box, as well as my friends and the people I meet (talking like boxes)—what am I supposed to do about that brutal patch of map where I am told there is a lot of noise, many fleshy, conscious its, like this me that sits here, as they screech in convulsions, or—in an instant—are coming to an end. What am I supposed to think?
*
This: lean forward and touch the air: it wasn’t for several days you could buy that package: the sweater and the mountain gear: and all across the street, of course: and there was a welcoming party and a big parade.
We walked into a sideshow, or a side street, and came upon a broken mirror. Forget what we called it. We called it name of dog. We called it and it came to us after dampening the ground around the rocket launcher. After a while there are others like us, and after lunch they were gone. This year the celebration had gotten very loud and our homes had become mounds we could climb on.
*
There is a treatment of the text something like midnight, which I had an hour to misconstrue. She snapped like a Venus Flytrap, and immediately we were hurtling over Morocco, in a more or less salvage-quality carpet—unreliable textile, frayed (or perhaps afraid) at the edges. But she sent us along with a collection of bologna sandwiches we were to research until we landed one day in Bangladesh, where George Harrison was having some sort of new electric guitar built out of balsa, and a wood that grows only around the Ganges. That’s if we make it through the air strike. Perhaps it’s not actually wood at all, but something imagined by the dead as they float shrouded and stiff as canoes. Wait, I’ll have mine with mustard. Maybe we could get a new one before we start off again.
*
The news arrived at the crime scene, just before the party started. It came wearing a plaid ascot and a daffodil through a button hole, but no one was allowed to decipher it. He tried to break a sailor’s neck, but the sailor just went ahead sawing away at the furniture. Soon there were two of everything, and the next thing we knew it was time for breakfast. Or nearly. We still had a half-gallon of vodka to finish, and a pint of paint thinner we had been using to remove our clothing, or the lines we had drawn beneath out eyes while we were still awake. But the news was still at it, though it had changed into a woman in a slight bathing suit, covered from head to toe with black & blue marks. Finally, I found out how to work the remote.
*
The chief imbecile recorded himself falling off the stage. We were astounded by his recreational abilities. Where did he put the microphone and where was he flying to? I had coughed up a piece of burnt linoleum after he had given me the go-ahead. What stage of life was that? It seemed like a miracle that he swallowed the audience—I remember living in an altered state for several years after that, something like Wyoming, but with less fuss over the antelope. I don’t remember what I had eaten but it disintegrated my esophagus. Whole villages made of mayonnaise, living quickly, rotting in the sun. At his instructions we catapulted ourselves against the wall behind the curtain, ran like broken eggs down-field toward the goal line, where we were each handed a number two pencil and a book of boxes.
*
This summer unrest: but why winter again, just like that? We are moving with the speed of CNN through manifestoes of circuitry. Electrical impulses gouge my brain, but I know how to enjoy it. I snake my board through the refuse of countless New York Times book reviews to meet you here, where you wipe the spittle off your dolls and building blocks, preparing for a nose bleed.
*
Who’s been playing with the air again? Sharp hot moments, three of my friends already melted, but they were only made out of plastic. I wonder if the moon is made out of stuff like this. The pavement so broken up over last night’s party. Hard to tell from your facelift. Let’s drip wax over everything. I’ve got some aroma therapy candles. You’re not going to be using that eye anymore, are you? Everything’s dropped back to two dimensions. Take what you need, and take a little more. I heard there was a formula for making lots of money. Take your fingers out of your ears. You won’t be needing them anymore.